My research is located at the intersection of music pedagogy, perception, educational technology, and inclusion. It starts from a central question: how to make music visible in order to expand its understanding, expressive capacity, and accessibility.
Through the study of synesthesia, multisensory learning, and sound visualization, I develop proposals that connect musical experience with visual, digital, and pedagogical resources. Technology is not understood as an end in itself, but as a tool for mediating between sound, image, body, and learning.
This line of work has been applied in real educational contexts, especially in secondary education, where music visualization contributes to increasing student motivation and making abstract musical concepts easier to understand.
The goal is to generate knowledge that can be transferred to schools, conservatories, universities, innovation projects, conferences, and spaces for interdisciplinary creation.
Applied Research
This research is not limited to a theoretical framework, but is oriented toward concrete applications in the classroom, cultural mediation, artistic creation, and the development of digital tools for music education.
Through this line of work, I aim to create bridges between research, teaching practice, and innovation, generating resources that can be used, adapted, and developed in collaboration with other institutions, educational centers, and professionals in artistic and technological fields.